Cover Illustration by Allen Koszowski [illustration]

Lovecraft’s Boyhood Cat by Ken Faig, Jr. [essay]

Letters to the Providence Journal from H. P. Lovecraft

Robert E. Lee by H. P. Lovecraft

General Lee and His Cause by H. P. Lovecraft

“The Clansman’s” Other Side by H. P. Lovecraft

Visualizing Cthulhu: Art, Adaptation, and Lovecraft’s “The Call of Cthulhu” by Dylan Henderson [essay]

Briefly Noted [essay]

The Lovecraftian Films of Lucio Fulci by Rebecca Kunkel [essay]

Briefly Noted [essay]

Lovecraft in the Disney Universe: Convergences and Divergences in the Expression of Horror by Pietro Guarriello [essay]

Briefly Noted [essay]

“Iä, Iä!“: Its Origin and Significance by Stephen Walker [essay]

The Influence of Moby-Dick on H. P. Lovecraft’s “The Dunwich Horror” by Peter Cannon [essay]

Lovecraft and Wales by Felix John Taylor [essay]

The Presence of the Past in The Case of Charles Dexter Ward and The House of the Seven Gables by Harley Carnell [essay]

Lovecraft in the Netherlands by Thijmen Zuiderwijk [essay]

Transgression, Trauma, and Transcendence in H. P. Lovecraft’s “The Thing on the Doorstep” by James Goho [essay]

A Few Trees in a Forest: Lovecraft in Pop Culture by Duncan Norris [essay]

Lovecraft in Mexico: Guillermo Sampeno’s “Borges, Escher, Lovecraft” by Michael Uhall [essay]

Lovecraft and the Horror of Abstraction by Martin Dempsey [essay]

Briefly Noted [essay]

How to Read Lovecraft, Part 8: Extra-Cosmic Consciousness by Steven J. Mariconda [essay]

Briefly Noted [essay]

Contributors [essay]