| Article |
Issue: |
Pages |
|
1: |
front cover |
|
1: |
3–8 |
Lovecraft and Lawrence Face the Hidden Gods: Transformations of Pan in “The Colour out of Space” and St. Mawr by Robert H. Waugh [essay] |
1: |
9–26 |
Briefly Noted [notice] |
1: |
26 |
|
1: |
27–30 |
|
1: |
31–64 |
The Negative Mystics of the Mechanistic Sublime: Walter Benjamin and Lovecraft’s Cosmicism by Jeff Lacy and Steven J. Zani [essay] |
1: |
65–83 |
Briefly Noted [notice] |
1: |
83 |
Unity in Diversity: Fungi from Yuggoth as a Unified Setting by Phillip A. Ellis [essay] |
1: |
84–90 |
Briefly Noted [notice] |
1: |
90 |
“They Have Conquered Dream”: A. Merritt’s “The Face in the Abyss” and H.P. Lovecraft’s “The Mound” by Peter Levi [essay] |
1: |
91–93 |
Briefly Noted [notice] |
1: |
93 |
The Master’s Eyes Shining with Secrets: H.P. Lovecraft’s Influence on Thomas Ligotti by Matt Cardin [essay] |
1: |
94–125 |
Thomas Ligotti’s Metafictional Mapping: The Allegory of “The Last Feast of Harlequin” by John Langan [essay] |
1: |
126–144 |
Reviews [review] |
1: |
145–160 |
|
1: |
145–149 |
|
1: |
149–151 |
|
1: |
151–155 |
|
1: |
155–160 |
Briefly Noted [notice] |
1: |
160 |