by S.T. Joshi
This brief biography first appeared in the
H.P. Lovecraft Centennial
Guidebook
and appears here with S.T. Joshi’s permission.
Howard Phillips Lovecraft was born at 9 a.m. on August 20, 1890, at his family home at 454 (then
numbered 194) Angell Street in Providence, Rhode Island. His mother was Sarah Susan Phillips
Lovecraft, who could trace her ancestry to the arrival of George Phillips to Massachusetts in
1630. His father was Winfield Scott Lovecraft, a traveling salesman for Gorham & Co.,
Silversmiths, of Providence. When Lovecraft was three his father suffered a nervous breakdown in
a hotel room in Chicago and was brought back to Butler Hospital, where he remained for five
years before dying on July 19, 1898. Lovecraft was apparently informed that his father was
paralyzed and comatose during this period, but the surviving evidence suggests that this was not
the case; it is nearly certain that Lovecraft’s father died of paresis, a form of
neurosyphilis.

With the death of Lovecraft’s father, the upbringing of the boy fell to his
mother, his two aunts, and especially his grandfather, the prominent industrialist Whipple Van
Buren Phillips. Lovecraft was a precocious youth: he was reciting poetry at age two, reading at
age three, and writing at age six or seven. His earliest enthusiasm was for the
Arabian
Nights, which he read by the age of five; it was at this time that he adapted the pseudonym
of “Abdul Alhazred,” who later became the author of the mythical
Necronomicon. The next year, however, his Arabian interests were eclipsed by the
discovery of Greek mythology, gleaned through
Bulfinch’s Age of Fable and through
children’s versions of the
Iliad and
Odyssey. Indeed his earliest surviving
literary work, “The Poem of Ulysses” (1897), is a paraphrase of the
Odyssey
in 88 lines of internally rhyming verse. But Lovecraft had by this time already discovered weird
fiction, and his first story, the non-extant “The Noble Eavesdropper,” may date to
as early as 1896. His interest in the weird was fostered by his grandfather, who entertained
Lovecraft with off-the-cuff weird tales in the Gothic mode.

As a boy Lovecraft was somewhat lonely and suffered from frequent illnesses, many
of them apparently psychological. His attendance at the Slater Avenue School was sporadic, but
Lovecraft was soaking up much information through independent reading. At about the age of eight
he discovered science, first chemistry, then astronomy. He began to produce hectographed
journals,
The Scientific Gazette (1899–1907) and
The Rhode Island Journal of
Astronomy (1903–07), for distribution amongst his friends. When he entered Hope Street
High School, he found both his teachers and peers congenial and encouraging, and he developed a
number of long-lasting friendships with boys of his age. Lovecraft’s first appearance in
print occurred in 1906, when he wrote a letter on an astronomical matter to
The Providence
Sunday Journal. Shortly thereafter he began writing a monthly astronomy column for
The
Pawtuxet Valley Gleaner, a rural paper; he later wrote columns for
The Providence
Tribune (1906–08) and
The Providence Evening News (1914–18), as well as
The Asheville (N.C.) Gazette-News (1915).

In 1904 the death of Lovecraft’s grandfather, and the subsequent
mismanagement of his property and affairs, plunged Lovecraft’s family into severe
financial difficulties. Lovecraft and his mother were forced to move out of their lavish
Victorian home into cramped quarters at 598 Angell Street. Lovecraft was devastated by the loss
of his birthplace, and apparently contemplated suicide, as he took long bicycle rides and looked
wistfully at the watery depths of the Barrington River. But the thrill of learning banished
those thoughts. In 1908, however, just prior to his graduation from high school, he suffered a
nervous breakdown that compelled him to leave school without a diploma; this fact, and his
consequent failure to enter Brown University, were sources of great shame to Lovecraft in later
years, in spite of the fact that he was one of the most formidable autodidacts of his time. From
1908 to 1913 Lovecraft was a virtual hermit, doing little save pursuing his astronomical
interests and his poetry writing. During this whole period Lovecraft was thrown into an
unhealthily close relationship with his mother, who was still suffering from the trauma of her
husband’s illness and death, and who developed a pathological love-hate relationship with
her son.

Lovecraft emerged from his hermitry in a very peculiar way. Having taken to
reading the early “pulp” magazines of the day, he became so incensed at the insipid
love stories of one Fred Jackson in
The Argosy that he wrote a letter, in verse,
attacking Jackson. This letter was published in 1913, and evoked a storm of protest from
Jackson’s defenders. Lovecraft engaged in a heated debate in the letter column of
The
Argosy and its associated magazines, Lovecraft’s responses being almost always in
rollicking heroic couplets reminiscent of Dryden and Pope. This controversy was noted by Edward
F. Daas, President of the United Amateur Press Association (UAPA), a group of amateur writers
from around the country who wrote and published their own magazines. Daas invited Lovecraft to
join the UAPA, and Lovecraft did so in early 1914. Lovecraft published thirteen issues of his
own paper,
The Conservative (1915–23), as well as contributing poetry and essays
voluminously to other journals. Later Lovecraft became President and Official Editor of the
UAPA, and also served briefly as President of the rival National Amateur Press Association
(NAPA). This entire experience may well have saved Lovecraft from a life of unproductive
reclusiveness; as he himself once said: “In 1914, when the kindly hand of amateurdom was
first extended to me, I was as close to the state of vegetation as any animal well can be...
With the advent of the United I obtained a renewal to live; a renewed sense of existence as
other than a superfluous weight; and found a sphere in which I could feel that my efforts were
not wholly futile. For the first time I could imagine that my clumsy gropings after art were a
little more than faint cries lost in the unlistening world.”

It was in the amateur world that Lovecraft recommenced the writing of fiction,
which he had abandoned in 1908. W. Paul Cook and others, noting the promise shown in such early
tales as “The Beast in the Cave” (1905) and “The Alchemist” (1908),
urged Lovecraft to pick up his fictional pen again. This Lovecraft did, writing “The
Tomb” and “Dagon” in quick succession in the summer of 1917. Thereafter
Lovecraft kept up a steady if sparse flow of fiction, although until at least 1922 poetry and
essays were still his dominant mode of literary expression. Lovecraft also became involved in an
ever-increasing network of correspondence with friends and associates, and he eventually became
one of the greatest and most prolific letter-writers of the century.

Lovecraft’s mother, her mental and physical condition deteriorating,
suffered a nervous breakdown in 1919 and was admitted to Butler Hospital, whence, like her
husband, she would never emerge. Her death on May 24, 1921, however was the result of a bungled
gall bladder operation. Lovecraft was shattered by the loss of his mother, but in a few weeks
had recovered enough to attend an amateur journalism convention in Boston on July 4, 1921. It
was on this occasion that he first met the woman who would become his wife. Sonia Haft Greene
was a Russian Jew seven years Lovecraft’s senior, but the two seemed, at least initially,
to find themselves very congenial. Lovecraft visited Sonia in her Brooklyn apartment in 1922,
and the news of their marriage on March 3, 1924, was not entirely a surprise to their friends;
but it may have been to Lovecraft’s two aunts, Lillian D. Clark and Annie E. Phillips
Gamwell, who were notified only by letter after the ceremony had taken place. Lovecraft moved
into Sonia’s apartment in Brooklyn, and initial prospects for the couple seemed good:
Lovecraft had gained a foothold as a professional writer by the acceptance of several of his
early stories by
Weird Tales, the celebrated pulp magazine founded in 1923; Sonia had a
successful hat shop on Fifth Avenue in New York.

But troubles descended upon the couple almost immediately: the hat shop went
bankrupt, Lovecraft turned down the chance to edit a companion magazine to
Weird Tales
(which would have necessitated his move to Chicago), and Sonia’s health gave way, forcing
her to spend time in a New Jersey sanitarium. Lovecraft attempted to secure work, but few were
willing to hire a thirty-four-year-old-man with no job experience. On January 1, 1925, Sonia
went to Cleveland to take up a job there, and Lovecraft moved into a single apartment near the
seedy Brooklyn area called Red Hook.

Although Lovecraft had many friends in New York—Frank Belknap Long,
Rheinhart Kleiner, Samuel Loveman—he became increasingly depressed by his isolation and
the masses of “foreigners” in the city. His fiction turned from the nostalgic
(“The Shunned House” (1924) is set in Providence) to the bleak and misanthropic
(“The Horror at Red Hook” and “He” (both 1924) lay bare his feelings for
New York). Finally, in early 1926, plans were made for Lovecraft to return to the Providence he
missed so keenly. But where did Sonia fit into these plans? No one seemed to know, least of all
Lovecraft. Although he continued to profess his affection for her, he acquiesced when his aunts
barred her from coming to Providence to start a business; their nephew could not be tainted by
the stigma of a tradeswoman wife. The marriage was essentially over, and a divorce in 1929 was
inevitable.

When Lovecraft returned to Providence on April 17, 1926, settling at 10 Barnes
Street north of Brown University, it was not to bury himself away as he had done in the
1908–13 period; rather, the last ten years of his life were the time of his greatest
flowering, both as a writer and as a human being. His life was relatively uneventful—he
traveled widely to various antiquarian sites around the eastern seaboard (Quebec, New England,
Philadelphia, Charleston, St. Augustine); he wrote his greatest fiction, from “The Call of
Cthulhu” (1926) to
At the Mountains of Madness (1931) to “The Shadow out of
Time” (1934–35); and he continued his prodigiously vast correspondence—but
Lovecraft had found his niche as a New England writer of weird fiction and as a general man of
letters. He nurtured the careers of many young writers (August Derleth, Donald Wandrei, Robert
Bloch, Fritz Leiber); he became concerned with political and economic issues, as the Great
Depression led him to support Roosevelt and become a moderate socialist; and he continued
absorbing knowledge on a wide array of subjects, from philosophy to literature to history to
architecture.

The last two or three years of his life, however, were filled with hardship. In
1932 his beloved aunt, Mrs. Clark, died, and he moved into quarters at 66 College Street, right
behind the John Hay Library, with his other aunt Mrs. Gamwell in 1933. (This house has now been
moved to 65 Prospect Street.) His later stories, increasingly lengthy and complex, became
difficult to sell, and he was forced to support himself largely through the
“revision” or ghost-writing of stories, poetry, and nonfictions works. In 1936 the
suicide of Robert E. Howard, one of his closest correspondents, left him confused and saddened.
By this time the illness that would cause his own death—cancer of the intestine—had
already progressed so far that little could be done to treat it. Lovecraft attempted to carry on
in increasing pain through the winter of 1936–37, but was finally compelled to enter Jane
Brown Memorial Hospital on March 10, 1937, where he died five days later. He was buried on March
18 at the Phillips family plot at Swan Point Cemetery.

It is likely that, as he saw death approaching, Lovecraft envisioned the ultimate
oblivion of his work: he had never had a true book published in his lifetime (aside, perhaps,
from the crudely issued
The Shadow over Innsmouth [1936]), and his stories, essays, and
poems were scattered in a bewildering number of amateur or pulp magazines. But the friendships
that he had forged merely by correspondence held him in good stead: August Derleth and Donald
Wandrei were determined to preserve Lovecraft’s stories in the dignity of a hardcover
book, and formed the publishing firm of Arkham House initially to publish Lovecraft’s
work; they issued
The Outsider and Others in 1939. Many other volumes followed from
Arkham House, and eventually Lovecraft’s work became available in paperback and was
translated into a dozen languages. Today, at the centennial of his birth, his stories are
available in textually corrected editions, his essays, poems, and letters are widely available,
and many scholars have probed the depths and complexities of his work and thought. Much remains
to be done in the study of Lovecraft, but it is safe to say that, thanks to the intrinsic merit
of his own work and to the diligence of his associates and supporters, Lovecraft has gained a
small but unassailable niche in the canon of American and world literature.